Heyyy, I actually sewed a new pattern while it was still new! I really enjoyed dressing as a vaguely interwar pseudo-intellectual for Halloween, to the point where I’ve decided to start layering some more vintage-inspired pieces into my wardrobe. When I saw the Friday Pattern Company Patina blouse I pretty much went “that’ll work!” and mashed the buy button.
This was my first time sewing a Friday Pattern Company pattern. You’d have to force me kicking and screaming into their breakout hit gown but I’ve only heard good things in general. I was surprised, though, that this pattern used 3/8” seam allowances throughout, since this is a blouse that calls for fine lightweight fabrics. I added ¼” to the side seams and shoulder seams, so I could French seam those later, but otherwise cut a straight size M.
Right off the bat I was impressed by the accuracy of the fabric requirements! I like that it didn’t overspend my money or generate much waste. I needed every inch, as in I had about a fingernail-clipping’s worth of excess length after laying out all my pieces. The layout would have been a little more flexible if I hadn’t increased the seam allowance, but no regrets. My only scraps are funny shapes and sizes. I spent more than I intended to on fabric, by the way; I went looking for quilting cotton to make a wearable muslin before investing in cotton lawn, and came home with this gorgeous organic poplin. Oops not oops.
Ch-ch-changes: I staystitched the front neck as directed, but also applied this tricot interfacing along the edge. I wanted to make sure it would support the weight of the collar. I’m in love with that 1” roll; it makes it so much easier to do the right thing.
However, instead of using interfacing in the collar, I cut another layer of fabric from my scraps. I pinned it to the wrong side of the top collar and treated them as one piece until it was attached to the bottom collar. Then I trimmed the extra layer of fabric ‘interfacing’ to right beside the stitching line. When turning right-side-out, that teeny-tiny overhang of fabric helps push the seam to roll to the underside. That’s my theory, anyway.
By the way, I placed the cost of my free-floating button purchase on this make, because I ended up really liking them together. These are the same buttons that saved my bacon when mending my Halloween skirt. I’m learning all the wrong lessons about buying notions without a plan!
I also removed about 5/8” of fullness from the sleeve at the front shoulder.
Doesn’t that sound wonderfully deliberate and official? Actually what happened is that I traced the sleeve piece the same way twice, but luckily caught my mistake before cutting. I retraced one of them flipped over and was still congratulating myself on my perspicacity when I cut on my new line to the shoulder point and on my old line away from the shoulder point. Yeeks. I noticed before I got to the single front notch, so I was able to compensate slightly, and my mess-up would (hopefully) be hidden in the gathers. I cut the second sleeve the same wrong way because I thought it was important that they match.
It’s a full sleeve, so it’s still perfectly comfortable to wear, but if it looks off at all that’s why. I can’t really tell. There’s one strange function of this shirt which is that my sufficiently long, loose sleeves ride up to my elbows at the slightest movement; possibly because of my front shoulder ‘adjustment’?
Also, the universe decided I should eat my words on the subject of continuously bound plackets, since this pattern calls for them. Plus I don’t mind not doing a thing, but I don’t like feeling like I can’t do a thing.
I was a little confused by the official directions, which tell you to press under both edges of the bias piece, but then only show one edge pressed, so I turned to the internet. I followed this Sewaholic tutorial and uhhh…I think I made this kind of placket into a boogeyman. At least in crisp, stable cotton, they’re actually fine.
I think I even have them opening the right way (50/50 chance)! I’m calling that a win!
In general the way the directions are expressed and the accompanying illustrations are good and clear and easy to follow. (The encouraging clip-art on the pattern pieces gave me a jolt though. “WHAT IS THAT PATTERN PIECE FOR?! Oh it’s a cartoon sewing machine.”) However, I sometimes disagree with what the directions actually say to do. Most notably, I hate the facing finish on the back neck. It’s hard to sew well and I firmly believe there’s a better way. If/when I sew another Patina blouse I want to try using the Negroni directions, which join the front facings to the inner back yoke. I’ll try to take pictures if I do.
The drafting, however, seems spot-on. My collar is sitting a little higher than the sample because I thought I was sooo smart and I understitched the curved part of the neckline seam, instead of just the straight vertical parts as directed, so it’s being tugged up a little. But the collar still curves really nicely. And most impressively to my mind, this shirt stays put! I can raise my arm parallel to the floor before the hem even starts to rise. And the neckline doesn’t budge. It doesn’t gape at the back, it doesn’t pull to the front. It parks! I’m impressed.
I’m not really sure what era this top hails from, style-wise – the 70s do the 30s? But I dig it. I wouldn’t mind giving that deeper neckline a whirl. There’s some $$$ recycled silk I’ve had my eye on for a while, and though I don’t think I’m owed a new holiday outfit every year, it would be pretty ideal.
I’ve been making fewer items this year, so while my cost-per-item is definitely up (gosh this blouse cost a bit), my overall spending is down. Which sounds like a possible excuse for silk to me…
Pattern: Friday Pattern Company Patina blouse
Pattern cost: $11.20
Supplies: 2.25 yards of Charley Harper organic poplin in Sierra Range, California Quail, Gather Here, $37.15; buttons, Etsy; thread, Michael’s, $11.86
Total time: 8.75 hours
Total cost: $60.21