Summer of Love, Part Five: Farewell, My Lovely

This is my final post in the Summer of Love series. I decided to include one more outfit – not one that got worn publicly much, but one I made just for me!

Luckily I only travelled locally for the weddings etc., but when I did spend a night away from home, I wanted to wear something a bit more fun than my everyday jimjams (I had a sort of instinct that my usual grey tee/sweatpants combo wasn’t maximum festive). Rare Device has a lovely post on investing in the clothes you wear when you’re by yourself, and while self love or care has been monetized almost past recognition, I thought my celebratory PJs were still worthy of being the finale of my Summer of Love. Not to mention I spent several weekends after the binge lounging around and recovering my social appetite and you know I spent that time in pajamas!

This post is a little disingenuous though – because while I made this robe/nightie combo last summer, I didn’t make the robe really truly wearable until the Sewcialists announced the Over/Under theme month. So 1. Oops and 2. Hooray!

The pattern is Seamwork Almada, and I fell for it immediately on its release. Many robes seem to be a collection of rectangles, but I thought the Almada looked like an Erté illustration, like an elegant twenties egg. I also loved the double gauze Seamwork used for their sample. It took me a while to make this pattern since it called for 3 ½ yards of fabric, and I was saving my credit card cashback rewards until I had enough for the big dog – Nani Iro! This is a fabric from her (their?) Rakuen collection.

I sewed a size large, originally with no changes. I was surprised at the Seamwork directions; I assumed that a pattern that called for luxurious fabrics would also call for fine finishing. Especially given that it only has four seams, I would have recommended French seams. They didn’t, but I used them anyway! I also invisibly hand-sewed the bias binding that finishes the opening – easy to do on double gauze, because you can just pick up the inner layer with your needle.    

My favorite homemade bias binding is from this super-soft grey-green-khaki cotton that goes with absolutely everything.

I needed every inch of my yardage – that’s how I ended up with the printed selvage visible inside one sleeve cuff!

I swanned around in my finished robe from time to time, admiring the fabric, but I didn’t use it much as a practical thing. The ties were placed low and wide, buuut so are my hips. The robe required too much arranging and tugging and still wouldn’t stay shut. I wore it as intended for wedding travel because inconsistent coverage was better than none, but after a year of non-use, I FINALLY unpicked and reattached the ties. And only because of Over/Under month!

Half an hour of sewing to move the ties six inches up and six inches towards the center, and now my fancy robe finally fits!

Double gauze is soft and vibrant, it’s like wearing a whisper, and it’s generally easy to sew. When topstitching, however, a friend of mine described it as “like sewing bread”.

Not my neatest sewing ever, but eulalia! I can wear it now!

On the other hand, there’s almost nothing to the nightie – no special saving for fabric, no long-awaited sew, no last-minute rescue. Just a 7” lengthened Ogden cami from leftover fabric I didn’t have quite enough of to make daywear. It’s my all-time favorite summer nightgown.

Love strikes willy-nilly!

Thus concludes my Summer of Love! See you soon, I hope, for more everyday dressing. : )

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Previous Summer of Love: here (part one), here (part two), here (part three), and here (part four).

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Pattern:  Seamwork Almada

Pattern cost: $3

Size: L, with the ties moved

Supplies: 3.5 yards Nani Iro Gauze in Rakuen Flower, Etsy, $69.20; thread from stash

Total time: 5.5 hours

Total cost: $72.20

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Pattern: Ogden cami

Pattern cost: NA

Size: 8 at bust, 14 at hip

Supplies: leftover rayon poplin from stash, thread from stash

Total time: 2.25 hours

Total cost: $0.00

 

Summer of Love, Part Three

This dress was pants! Briefly! Well, culottes. This is the tale of its transformation. Welcome to episode 3 of the Summer of Love!

This was very, very temporarily a pair of midi-length Tania culottes, size L in old money. I’d been wild to make them for a while, but I rarely buy 3+ yards of fabric at a go. Happily Gather Here had a summer sale at the beginning of wedding season, and the Tanias seemed just right for an upcoming casual-nice engagement party!

I finished the culottes with about 18 hours to spare (maybe you’ve sung this song yourself) and popped them on for a triumphant fashion show. Twist!! I must have fudged the grainlines because instead of falling from the widest part of my hip, they hugged my leg to about mid-thigh and then abruptly belled out. NOT triumphant. Not even close. Triumph sent its sincerest regrets but would not be attending my legs.

Without a back-up plan, I unpicked the ol’ leg-bags and freestyled a dress. The culottes became its skirt. This was simple to engineer – I cut off the crotch extension of each piece and smoothed the waist, like so.

Then I pieced the skirt front and skirt back at the center seams. Since the Tanias are so full, that left a respectable amount of swing and flare, even sans crotch.

Unfortunately, I ended up with four little holes, from what used to be the ends of the big box pleats (the red dot on my diagram above).

Using about a square centimeter of scrap fabric and fusible hem tape, I ironed a jiffy patch to the wrong side of each hole. So far they’re holding!

For the bodice, I used the Workroom Social Tate Top (free to newsletter subscribers) in the cropped length. I had previously made this pattern as a scrap-buster. As a crop top, you can really squeeze it onto random odds and ends, especially if you add seaming. I got this from the culottes off-cuts with nothing to spare!

Rather than using a zip, as the pattern recommends, I divided the back bodice horizontally about 5” down. Then I cut the two upper pieces and hemmed the vertical edges separately for a simple opening. It closes with a thread chain and mother-of-pearl button, but I can get in and out without unbuttoning. I’ve definitely made versions of this with no opening at all, but you know your own coconut best!

Then I just gathered the skirt top to fit (it didn’t take much gathering), stitched them together, pressed that seam up, and topstitched. Crossed my fingers for another first try-on and hey presto! A dress!

With a handy belt leftover from a Halloween costume (I was an Egyptologist, Professor BF was a curséd mummy, it was adorable, we’re very proud), I was party-ready.

Oddly I find the Tate cropped length borderline too short for a shirt but definitely too long for a dress bodice! But by then I was sleepy. So I wore the finished dress to the engagement do, and then forgot to adjust it, and then wore it to other Summer of Love events – a bridal shower, another engagement party. It’s not quite fancy enough for a fancy wedding, but it worked great for these Bacchanals/Burning Mans/just kidding we ate finger food in a backyard.   

I wore my Halloween belt with this each time, but I might prefer it casually unbelted!

You know what – seeing this steadily and seeing it whole, I’m gonna tweak it again. I love the color and the weight of this fabric, but the bodice never sat quite right, especially in the back, and it’s a smidge tight at the underarms.

Once more for the chop, dear dress!  

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Previous Summer of Love found here (part one) and here (part two).

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Pattern: MN Tania culottes

Pattern cost: $9.50

Size: L, in the old MN system

Supplies: 3 1/4 yards Kaufman Essex linen/cotton in Seafoam, Gather Here, $28.60; zipper and thread, $4.60, Gather Here; button from stash

Total time: 5.25 hours

Total cost: $42.70

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Pattern: Workroom Social Tate Top, as dress

Pattern cost: $0.00

Size: 8

Supplies: disassembled Tania culottes + leftover fabric

Total time: 5 hours

Total cost: $0.00

Summer of Love, Part Two

Welcome back to the Summer of Love, where I share what I wore to the weddings and wedding-adjacent events that ate summer 2018! Inevitably, I made a Kielo. But this Kielo has a twist. I don’t actually like it very much!!

Ho-ho, it’s a GRUMPY twist. My feelings about this dress didn’t crystallize until I took these photos, in fact. Normally I forget unpleasant sewing experiences in the satisfaction of a finished garment, but when I jumped headfirst into this stretchy green tent they were waiting inside!

More on that later! First I want to talk about the jacket I sewed to pair with this, since venues are often too cold. Venues AND spaces are too cold. Sometimes areas too. Brr. It’s a Lupin!

Bonne journée, Lupin! Conversely, making this was a madcap ride of pure sewing joy. These were my first welt pockets and my first jacket lining. I had so much fun making this, I spent much of the time thinking of when I could make another. It almost doesn’t matter that I don’t like it very much either?!

I love it as an object, I just don’t love it on me.

The exaggerated lapels, the blousy back – it seems like too much fabric to me. Or maybe it’s the color? In an olive drab or a mossy green, I could see this working. This light blue isn’t as versatile as I expected. My Lupin is a straight size 42 and the fit is fine really but it feels (and I think looks) a smidge long.

With a linen/cotton shell and rayon lining, it’s the perfect weight for weather of about 55° – 65° F, which is a great transitional layer. Again, um, for someone who likes it.

 The directions were really clear; my only changes were to skip the topstitching on the lapels and omit the epaulettes. I also used two different lining fabrics, because the solid one had been gifted to me and the other…

WAS THIS MAGNIFICENT ½ YARD OF VERY EXPENSIVE RAYON. It’s gorgeous. That half yard cost me $10 and was absolutely worth it. I should wear this jacket inside out.

And it coordinates so well with this Fearsome Beast pin!

The upside of relying almost exclusively on blue and green for color in my wardrobe is effortless coordination, baby!

I felt very appropriate in this outfit. Picture that remark, in say, a Regency drawing room, and you might get a sense of how withering I’m being. Ms. Poundcake! Fie! It also packed well (an away wedding must) and clearly communicated my desire to be a fancy friend. It also also contains some of my junkiest sewing this side of a seam ripper.

Let’s talk turkey.

As seen here in this photo of me, apparently, playing a small invisible violin, the fit is fine. It’s totally acceptable! I’ve put all my points into fitting pants, so learning how to fit my top half has accidentally gotten nerfed in the meantime. Luckily I had the lead of Erica from Handmade Wardrobe to follow. I shortened the front bodice by 1.5” above the dart, the back bodice by 1” above the armscye notch, and narrowed the top back 2” total (1” from each center back starting at the neck, tapering to nothing about 6” down). I also raised the back split by about 2”.

Bunching at the front armscye/above the bust seemed to be a common issue with the pattern, so I was pleased to have avoided it! But then came…THE SEAM FINISHES.

The pattern instructs you to use bias tape to finish the arm- and neck-holes. Okay, fine, you can bias bind the neck. But the armscye is continuous with the side seam! There’s no division, just a notch marking it!

Ignore the incoming armpit hair and stick with me here. I guess it’s possible to miter the binding for that corner somehow, but I lack confidence with knits, let alone knit bindings, so I just serged the seam allowances separately, pressed them open, and topstitched – effectively turning them under once, which I repeated for the neckline so the topstitching would be consistent. Consistently stretched-out-ish. : P Not to mention the wobbly back seam and the bulgy dart points!

But my worst, worst sewing is at the top of the split. That split, elegant from a distance, is an uneven mess inside. It changes width, there’s some serging that just…trails off, and I had to snip into the seam allowance, which kind of stresses me out even when the fabric won’t ravel. I tried WonderTape for the first time (as in “I wonder if I’m doing this right, because I’m having a crummy time”) and it did not seem to improve my experience.

And in conclusion: PANTY LINES.

I had an un-fun time sewing this slinky knit and now that the un-fun isn’t being actively opposed by cheese boards and Whitney Houston tracks, I feel it. I just don’t trust a dress I can’t press with steam!!

None of this is to say you shouldn’t sew it. Heck, I’m not even saying I’ll never wear it again. Maybe time will massage my yucky feelings to indifference? Or even better, maybe I will Grow As A Person and stop caring? It’s not an A-plot level arc, but growth is growth.

So, no moral to the story. Not yet, anyway. But the dress did its job, and there’s only one way for this post to end…

Flying squirrel!!

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Previous Summer of Love found here.

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Pattern: Named Kielo

Pattern cost: $14.00

Size: US 8, with adjustments, above

Supplies: 2 meters bamboo jersey knit in Spruce, Blackbird Fabrics, $32.50; $4.41, WonderTape, Amazon seller; $4, thread, Michael’s

Total time: 7 hours

Total cost: $54.91

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Pattern: Deer & Doe Lupin jacket

Pattern cost: $13

Size: 42

Supplies: 3 yards Essex linen/cotton blend in chambray blue, 1/2 yard Menagerie cotton rayon lawn in Monstera Midnight, Gather Here, $36.40; thread, Gather Here, $3.10; vintage bemberg rayon, gifted

Total time: 9.25 hours

Total cost: $52.50

Summer of Love, Part One

Put your hand up if the following apply to you:

1. You’d rather get dressed than get dressed up.
2. A clutch of weddings either has or is about to rain down upon you.

I know the Year of So Many Weddings will seem like a safe harbor when I’m swimming with the sharks of Look at All These Babies, Do I Really Have to Remember Their Birthdays, but literally every weekend but one from June to October 2018, I went either to a wedding or a wedding-related event. And I wore the same few outfits to every last one of them! And so, honored guests, let me welcome you to the next few posts on my blog: what I, an un-fancy person, wore for chronic wedding attendance, a.k.a., The Summer of Love. Part One!

I have THOUGHTS about weddings in general (thoughts on thoughts on thoughts! So many patriarchal rituals! So much free labor, usually performed by women! So much dang money! But also the possibility of spending that money locally, often at female-owned businesses! Thoughtful marry-ees are working hard to erode the gendered baloney! Also I like passed hors d’oeuvres and theme parties!) which is why I look forward to never having one myself, but I do have fun at other people’s. I consider my main duty as a wedding guest to be 100% danciness all night long.

This familiar friend is V1501 (Rachel Comey mock-tuck dress for Vogue) and you’ve probably seen it everywhere. I saw it first on What Katie Sews and now looking back, did I make the wrong size? Hers is sassier! Oops, I guess your marriage is annulled, friends. ANYWAY, this satisfies dancing requirements: it’s comfortable, the skirt’s swishy, and nothing is going to pop out. That seems like faint praise, but it’s about as high as dress-up clothes are going to get.

I did have fun sewing this though! I used my favorite yarn dyed linen/rayon blend, Kaufman Brussels Washer in Redrock (the same one I used for my very first post on this blog!). The skirt is a size 14, and when I wrapped the waistband pattern piece around my waist I made the instant call to add 2.75” inches to its length. I must have made a bizarre tracing error, because the lengthened waistband fits me comfortably, if a little loosely (I could have added 2.25” and been okay), but when I went to attach it, the skirt top was 2” wider than that (but hooow?).

I added another 1” dart to each skirt back, so now there’s 4 darts in total. I’ll have a close-up later, but it solved the problem, even while leaving me, to this day, baffled and confused.

The skirt pieces are wider at the top than the hem! I’ve never seen this before! It makes sense, I guess – I’m wider at the hips than the knees. They’re seamed at the center front and center back, and the extra-wide front pieces allow for generous pleating.

Swiiish! I used the selvage edge for those seams, since they’re straight lines and I’ve never met a millimeter of fabric I didn’t want to scrounge and save.

I made a whole buncha changes to the top. I shortened the back bodice by 3”, topstitched the front pleats (why?? I don’t remember! Well, too late now), and raised the split at the sides by 4”. I did this little by little after the bulk of the bodice was complete, so I could push it juu-uu-ust to the edge of my bra. But if you have a cute bra you want to share, excelsior!

Consider them dancing vents! I made this adjustment to the angle from hem to side, to make it more acute. The width at the hem of the bodice is unaffected, but the side seams meet higher up. I think in my fabric choice this dress is right on the edge of frumpy, unless you have the drama or gravitas to carry it off. I don’t! I don’t wear makeup or heels so I was comforted and sustained by the little bit of visible side.

Naturally when I finally tweaked that angle to my own satisfaction it was also the time I hemmed the back inside-out. Tra la la. You can see the double darts here if you look closely, and the invisible zipper without looking closely at all! I still struggle with invisible zippers! Either you can see them, or I break them. This seemed the lesser of two evils.

I followed this EXCELLENT tutorial from Crafterhours to sew the all-in-one facing. I did skip the gussets and shoulder pads, so I can’t speak to integrating those with the facing! Finally, I took a cue from many bloggers who have sewn V1501 before, and sewed the top and bottom as separate pieces, joined by buttons on the inner waistband.

My buttonholes are not centered either vertically or horizontally because I was slapdash! That’s between you, me, and the mulberry tree. I can store this puppy on a hanger no problem, though. Flex.

I might use the skirt separately, with a tank or cami, for like…a summer fête? If I ever need to act ladylike on a riverboat? A grift where I pretend to lose the church roof fund and also carry a lace hankie? IS THIS WHY PEOPLE DRESS NICE?

More wedding guest outfits coming soon, in this the Summer of Love!

Pattern: V1501

Pattern cost: $10.29

Size: 12 top, 14 skirt, with variations, above

Supplies: 3 yards of Kaufman Brussels Washer Linen Blend in Redrock, fabric.com, $33.42; buttons, zipper, Gather Here, $3.60; thread from stash

Total time: 13 hours

Total cost: $47.31